Month: April 2016
International Architecture Exhibition, Venice 2016 – 15th
Spazio Punch, Fondamenta San Biagio 800/O, Giudecca
Commissioner: Mr. Nkanta George Ufot (Director – International Cultural Relations, Ministry of Information and Culture). The Biennale di Venezia 2016 will be the first time that Nigeria will feature in this world renowned event, therefore, it is absolutely necessary for us to integrate and collaborate with consultants and partners with experience and previous involvement at the Biennale. Read more => (…)
Exhibitor: Mr. Ola-Dele Kuku – (Architect – artist) – http://www.ola-delekuku.com/Bio: Ola-Dele Kuku (Lagos, Nigeria – 1963) studied at the Southern California Institute of Architecture – (SCI-Arc), in Los Angeles, California, and in Vico Morcote, Ticino, Switzerland. His private practise (Ola-Dele Kuku Projects), initiated in Milan, Italy in 1991, and focused primarily on conceptual interventions in architecture with special interest in philosophy, theory, and composition. Read more click here => (…)
About Biennale Venezia: Established in 1980 curated by Paolo Portoghesi, the Venice Architecture Biennale has developed into the world’s foremost architecture event. It’s the leading forum for the exploration of architectural ideas, the social architecture, the preeminent showcase for building design and the biggest and most publicised gathering of the international design and architecture community. What better place for the first Nigerian Pavilion’s architectural creativity and quality to take the world stage?
The Biennale promotes debate about the architectural and urban design issues confronting communities and societies around the world. It’s a highly stimulating event that brings together architects with famous careers, theorists, connections with contemporary art and young practitioners on the rise.
Some countries have permanent national pavilions in Venice; others stage their exhibitions in historic buildings. The Nigerian Pavilion have chosen an industrial building with a strong programming in the year: Punch Space where create a site-specific exhibition of architect and artist Ola-Dele Kuku.
Being at Venice feeds back into this country’s built-environment planning while also telling the world that what we do here has its own distinctive character.
The Biennale kicks off with the two-day Vernissage – one of international architecture’s most prestigious occasions – which includes a host of opening parties and opportunities to tour the exhibitions and meet their curators.
Each Biennale has a theme set by the events director, to which the creators of the national exhibitions respond. The Biennale appeals to a large and highly focussed audience: architects and designers and urban planners, naturally, but also companies that support architecture, clients that commission it, institutions that teach it and the media that publish it.
In 2014, 66 countries staged exhibitions and the Biennale attracted 240,000 visitors. More than 3,300 media were accredited, and 120 universities took part in the Biennale’s educational programme. So also this year we will have an amazing audiences!
Visit the La Biennale website http://www.labiennale.org/it/architettura/mostra/
‘Diminished Capacity‘ intends to analyze an historical transaction moment with the ambition to rewrite history, starting from Nigeria to provide unpublished interpretations.
In this condition rewrite history becomes a necessary evolution. The wrong reading of Africa transforms continent itself in a country poised in perpetual opposition to restlessness; what is its identity being a ghetto in forms and structures unsuitable? The Africa is not a country. In that conflict the first Nigerian Pavilion wants to prospect a new methodologies.
Conflict is one of the recurrent themes in the work of Ola-Dele Kuku. The architect-artist sees that as one of the driving mechanisms in our world, and as a tool to set change in motion. ‘Conflict has played a crucial role since the dawn of creation, just think of the stories of the Big Bang and the paradise of Adam and Eve’. Throughout his practice, Ola-Dele Kuku has consistently re-shaped representation in a timely challenge. Working with both drawing, installation and sculpture, he has revisited the mainstays of architectural representational methods – plan, elevation, section – to inject unsettling slippages into their rigorous formalism. This new body of work fully embraces an analytic socio-philosophical visceral slant, confronted complex issues such as resource depletion and their manipulation, migration, micro and macro global changes, an alternative vision of west Africa, growing impoverishment and the diminished capacity of a country in a multiplication use of manipulation strategies .
Associate Curator: Mr. Koku konu (architect – critic) Lagos, Nigeria.
Project Manager: Mr. Fabrizio Orsini
Co-founder – AAC Platform, Italy.
Exhibition Promotion and Communication: Mrs. Kavita Chellaram
Director – Arthouse Contemporary Limited, Lagos, Nigeria
Collaborators – Sponsors:
Federal Ministry of Information and Culture, Abuja, Nigeria.
Embassy of the Federal Republic of Nigeria, Rome, Italy.
Arthouse Contemporary Ltd, Lagos, Nigeria.
KU Leuven – St Lucas Architecture, (Int Masters Programme) Gent, Belgium.
LMS Gallery, Brussels, Belgium.
Philippe Laeremans Tribal Art Gallery Brussels, Belgium
‘Agenda Setting’ (neon series) Africa is not a country!
2016 courtesy ola-dele kuku projects.
Special Thanks To Alessandro Sicuro –
Journalist / Editor by Sure Com America
The Consuls of the Wool, in Florence, in 1460, gave it first to Agostino di Duccio and six years later to Bernardo Rossellino but this artist, after having sketched the outline of a figure and ascertained the fragility of some ribs, She abandoned him.
Michelangelo accepted the challenge of obtaining his David from that Bianco Carrara but not to be placed in the buttress of the dome by Brunelleschi but there in front of the Palazzo dei Priori (Palazzo Vecchio) and this was immediately supported by the bearer of Pier Soderini Justice.
From that piece of white marble Michelangelo does derive its David, symbol of the freedom of a people against tyranny and unique portrayal of the hero before delivering the stoning that will hit the giant Goliath.
David is the personification of a city like Florence, is the symbol of the Renaissance, which has its roots in the classical world, is the symbol of respect for the biblical tradition and the modern intellectual claims of new humanistic society.
Master creates his David already in its final position: there, on a pedestal above the last step, the left of the main door of the Palazzo Vecchio. David should be a warning to the rulers that inside that building will govern. That ‘s where Michelangelo gives the finishing touches on his marble to find the right light and proporzionarne vision direction to those who are about to enter the building. To a sculpture light is essential component.
It is for that place that designs its Author.
Source: Nella Pizzo, Past-Presidente Fidapa Firenze
Event organization: Maria Grazia Papuccio – President Section Fidapa Florence
We are pleased to invite you to the conference on artistic and universal value of DAVID OF MICHELANGELO
that will be held by: Cristina Acidini
President of the Academy of the fine arts of Florence
Tuesday, April 5, 2016, 16:30
Oblate Library – Via dell’Oriuolo, 24
to get there: from the Central Station (via Panzani) Ataf line C1; Stazione Leopolda line Ataf C2
Information: firstname.lastname@example.org, tel. 349 1968049
Editing & Publishing by: Alessandro Sicuro
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Sure-com Web Agency Florence Italy
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